The Moore house stands silent, somber, and looms as a gravestone against the darkened backdrop of the surrounding Kine landscape. Fitting, given that the building's original purpose was as a Funeral Home, and the disquiet such a history and association drizzles onto the nearby human masses is perfectly fitting for the purposes of the walking dead that occupy the building now. Or, rather, that soon will.
The door to the Moore House stands ajar, spilling yellow light into the well of darkness outside the walls of the building, and silently the building sits, waiting for the Kindred of Sacramento to enter it. Within, they find a sign directing them through the foyer and into the Chapel, where a very interesting sight greets them. Behind a pulpit, Josephine Sterling stands, her form clad in black and crimson robes with a silver spear dangling upon a silver chain around her neck. Beside her is a large St. Andrews Cross, and chained upon it is the nude form of what might be a college boy, his mouth gagged, his eyes blindfolded, and his ears blocked by noise canceling headphones. Small, animal noises sound in the boy's throat, his nostrils flaring in panic, and yet his limbs remain motionless.
It is this boy, this David Hopson, that shall serve as the Sacrament for this nights mass. Alas, for there to be a mass, there must first be a mass of bodies. Thus, before the pulpit resides 10 iron stands with a thin black volume resting upon each one. They rest at about chest height, and there are no chairs or pews. It seems that Josephine intends for those who attend to stand.
4 successes to secure the Sacrament