Back of the building
It takes a few minutes, but Edward and Mable locate the exterior door. This building has good security - the door back here is subtle. The interior door is reinforced and thick with a quality deadbolt that is locked. Throwing open the door would reveal a secondary metal security door with another two high qaulity locks. These would take Edward or Mable just a few seconds to open, and they could be on their way. The way out is within their grasp!
The ghoul has continued his moaning and even apologizing to rats, not liking that Mable is hauling him along through the rats any longer.
Hallway, moving into the lobby
“As long as that’s’ in the right hands, that’s all that matters, Ma’am. We were told that somebody wanted people to see it. You know we couldn’t let that happen.” The dark-haired man tells Twist. “We were sent to make sure that Mr. H and the others had it in their hands. If you want me to burn it -- with you at a safe distance and watching -- just say the word.”
Twist seems to have this buttoned up. As she moves for the door, she notes that the Ghouls move to flank her. They seem to give her some buffer against the Kine observers as Charles places himself walking just in front of her on the side carrying the painting. He is turning his head and glancing over at the caterers and Michael the security guard, on alert and blocking the rolled-up painting with his body. The blonde takes up a path on Twists’ left and just behind her, but with some distance so she is not feeling like she is about to be attacked. The ghouls are glancing side to side, apparently keeping domain awareness of the rat-infested hallway and caterer flecked lobby as the trio moves for the door. They move like line backers protecting the football- the painting Twist bears.
In moving to the door, the trio passes where Melanie had been watching the backs of the ghouls. Mable had seen this through her use of Cheval. As the trio moves by, Melanie suddenly interferes. The woman of unknown Clan is lunging towards the painting, her arm outstretched for it.
“We have to destroy that, Ma’am.” The blonde one protests as Melanie swoops into the middle of the hallway, interfering with Twist and the ghouls forward progress. Melanie doesn’t listen to the ghoul or stop her action.
Three of the Kindred present knew precious intelligence that could have predicted exactly this sort of situation.
Quote:
Simone turns her head to the window for several beats. She tilts her head, scanning the alley below them.
"Mr. Kowalsic and Melanie are going to be a powder keg no matter what. He saw her Sire snatched up for a minor infraction, she's out for his Blood.
I've seen Melanie thrash some upstart who saw her as just a pretty little thing."
Lobby
A sudden screech is heard as a Asian woman clutches her ankle. "It bit me!" She screeches, in full panic mode.
That does it. Nobody with a pulse wants anything to do with this exhibit any longer. The caterers abandon the food tray and start to rush the door. A tall Black man scoops up the crying woman and carries her across the threshold. The last man was a Black man of middling height, carrying a spare tire that stretched his white and black uniform. This man picks up a platter and opens it to reveal little meat pates - and sets it off to the side, on the floor.
"Eat that, you little ____ " He can be heard saying as he quick steps for the front door. This has the desired effect, and the rats in the lobby suddenly move for the northern wall of the lobby, freeing the doorway from the rat carpet.
Michael throws open the door and starts directing people outside. The caterers high tail it out, brushing into a small, intimate gathering that had been queing outside for the show.
"You don't want in!" Michael assures them. "This exhibit is shut down! Please contact the front office for details!" He is freaking out just a bit and trying valiantly to keep control of the situation.
Melanie is gunning for Twist. Twist seems to have the allegiance of these two ghouls, for the moment.
Charles 19, Edward 15, Twist 11 | Dirt Nap 11 | Melanie 11, Mable 10, John 5
This puts Melanie at initiative 11, right with Twist and Dirt Nap and before Mable.
Charles has been walking on the side of the painting and uses his body to block Melanie from Twist. He pulls out his large pistol with practiced ease, suggesting that he's used to this sort of work. Melanie is leaning this way and that, light on her feet as she looks for a way past Charles. Metal glints on her right hand, suggestive that she is bringing something to this fight.
Edward Heinrich
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