The recording, time-stamped two hours and thirteen minutes ago, opens with the dealer in handcuffs. He sits in the same chair he sits in now, across from none other than Detective Roberts. The dealer looks much different. His skin less green. His ears only slightly pointed. Everything that stands out about him now is less pronounced on the video. Roberts, looking much more composed, opens with some questions.
"Let's start with something simple. What is your name?" She smiles, friendly. Open.
"No. You first!" he snaps, with a wild look in his eyes.
"You can call me Detective Roberts. What can I call you?" Her face is calm. She doesn't react.
"Ask me now, ask a-gane. Answer will remain the same. Twisted girl with hidden shame, tell me now your truest name." His pitch elevates with his rhymes, getting more frantic as he continues.
She remains calm, not acknowledging his strange speech. "Cindy, then. Will you tell me your name now?"
The dealer seems satisfied, nodding to himself. "Cindy. Yes. Let me whisper." He leans forward over the table, looking like a child with a secret to tell. Roberts turns her head slightly, giving him an inch of cooperation.
The dealer takes a mile.
In half a second, one hand is free from his cuffs and clutching a fistful of her hair. He savagely smacks her head on the table, and it is all she can do to wrest free from his grip before being pummeled again. Moments later, two policemen open the door and restrain the dealer. They take him back out the door, leaving Roberts alone in the interview room. She makes a sharp sweep of her hand under her chin towards the camera and the feed ends.
It resumes half an hour later. A single policeman with a bad cut on his face glowers before shutting the door. The dealer is in his chair again - this time in a straight jacket. More like the creature he appears in the room behind the screen than before. Roberts has fixed her hair again, and fixes the dealer with a hard look from across the table.
"Three pairs of cuffs... you're really an escape artist aren't you? Got away from the scene fast enough." The composed and friendly Roberts has been replaced by the tired, unapologetic one the three Summers are more familiar with.
"Still haven't given me a name. Why don't you tell me what you've taken. We already have the contents of your stomach in the lab, but you can save us time. Let me know what it was so you can get the treatment you need."
"In the end. I think you'll know. My old friend. In fields they grow." The frantic singsong of before is mild compared to this. His volume and pitch seem to have no control. His head snaps to one side and he whispers to no one. "I know. But she can't see. Won't see."
"See what?" She says, sounding somewhere between curious and annoyed.
"The teeth! They bite and gnash at the walls! No, not teeth... thorns. But I have teeth! "
This back and forth continues for the next 20 minutes, with half of Roberts' questions answered in nonsensical rhymes and half with threats. Nothing the dealer says has any context, which isn't helped by he frequent asides to an unheard voice. Eventually Roberts gives up, and the recording ends as she exits the room.