"No. I mean, yes. Wait. No. Uh."
Wait. Was that a rhetorical question?
"I mean, like, whatever? Whatever works. I just, uh." Assumed? Maybe a little. Watch out, Clarice. "Yeah, let's, uh, let's do that. Ummm. Hit it from different angles. Okay. Arthur. How's this? You own one of these, like, shops. Businesses. So, like, played the concerned businessman card. You have pull, right? With the cops? Or the city?"
There. Everyone got their papers? Just read the script, yo.
"Oh. Oh, hey. See those two?" Cloth rustled as an arm extended. "That's Molina. The other guy is Barton. They're both homicide. Molina is the lead. He's, like, hmmmm. He's hard. Keep it simple with him. He doesn't, like, mess around. He's cool, but his bee ess radar is probably, you know, off the charts."
The thing to remember about script? Know. Your. Audience.
"Wait. Wait. Okay. Ummmm. Rewind. Arthur, you roll with that. July? You're Arthur's hired muscle. Ex po po, it's perfect. You're with because, like, this isn't the best place." Right, that's better. Don't be afraid to revise.
"Cool?"
Because Kiss Kiss.