The Bank of Ptah & Cole is complete. It rises, a couple of storeys high: curving concrete and sandstone finish with a plaza out the front. A large pool complements the space and water chuckles and burbles through an arcane looking fountain shaped into a pyramidal structure. The plaza doubles as a food court; and an area of the buildings lower level has been dedicated to retain space (already a selection of boutique stores have claimed space). The Bank lays claim to a portion of the lower level and takes up the entire upper storey. It is a tasteful space, created by people who wish their commercial hub to complement, rather than challenge, the prevailing ambience of the area.
It is night and the plaza is a sea of shadow, mottled by lighting. Freshly painted concrete, tile, and sandstone glint in the mischievous interplay of light and dark. Phantom lights dapple the swirling waters of the pool, to the laughter of water spilling from the fountain; a sound that is too friendly to be mocking, even to the jaundiced ears of the Kindred who draw near.
The bank is up late. In addition to the lights illuminating the entrance foyer with its marble columns, cunning carvings and small artefact display, the upper story is strongly illuminated. To the uninitiated it might seem that the staff are crunching the numbers for their first clients - a commission maybe, with a tight deadline; to those who know, it would signal that a hidden court is in session. One to which they were, apparently, not invited.