The door to Moore house lies open. Religious iconography is conspicuous in its absence around here. The dim lighting begins in a bare hall and leads to a cramped room dominated by a scuffed old dining room and a charnel odor. Anton Flores sits at the head of it, the low light pooling within dark eyes, aiding the illusion of wounds and missives crawling across his skin. He waits for his congregation to arrive, hands clasped.