Milton has heard of Asylum from a few...enterprising clients. Not his scene. Not at all.
In life, it always baffled him: the lengths his contemporaries were driven to by desire, by lust. In death, he is no longer confused. Now he finds such preoccupations boring. Plain and simple. What could his dead flesh derive from such an exercise? Pleasure? The Kiss outstrips anything offered at Alysum. Power? Meager rations compared to the influence he's been building at City Hall.
No, to him this is all just play acting. Children's antics. Milton is not a child. He is a man.
No. More than a man. Milton is Kindred.
The Lord arrives on foot, having parked his car down the street. He's dressed in a black suit, black shirt, black tie, back dress shoes. His monochromatic palette is his one concession to the 'theme.' He wears the blush with a touch of discomfort, not fully appreciating its enlivening effects.
The first thing that hits him is Mable's Beast. Its potency rolls off her in waves. Milton curls his toes in his shoes, fighting the urge to flee. Fixes a bland smile on his face, proceeds.
"Hello, ladies. I trust you are well?" An apologetic look, especially to Quinn, for the casual nature of the address. It cannot be helped given their present exposure. He looks around for Jennifer and realizes she has not arrived. Or perhaps she simply has not allowed herself to be seen as of yet.
Milton will, of course, move to assist once they mobilize. Something akin to anticipation is building deep inside. Whether he wants to admit it or not, the Lord is looking forward to this.
Equipment: Smart Phone, Wallet with cash, small note pad, pen.