The moment is pregnant with mystery, even for me. I stand outside the door of Detective Michael Riley's office. The hour is late; he is in his private office in the back, the light down low--I know this without seeing. The good Mr. Riley called me three hours ago to tell me I had to come to his office to have a little talk about some things I might find of interest. There was a note of threat in his voice, and more. I can sense emotions, although I cannot read minds. I am curious as I stand in this cramped and stale hallway. I am also annoyed, and that doesn't bode well for Mr. Riley. I knock lightly on the door to his outer office and open it before he can respond.
"Hello," I say. I do not sound dangerous--I am, after all, supposed to be young. I stand beside the secretary's unhappy desk, imagining that her last few paychecks have been promised to her as "practically in the mail." Mr. Riley is at his desk, inside his office, and stands as he notices me. He has on a rumpled brown sport coat, and in a glance I see the weighty bulge of a revolver beneath his left breast. Mr. Riley thinks I am dangerous, I note, and my curiosity goes up a notch. But I'm not afraid he knows what I really am, or he would not have chosen to meet with me at all, even in broad daylight.
"Quinn Durant?" he says. His tone is uneasy.
"Yes."
He gestures from twenty feet away. "Please come in and have a seat."
I enter his office but do not take the offered chair in front of his desk, but rather, one against the right wall. I want a straight line to him if he tries to pull a gun on me. If he does try, he will die, and maybe painfully.
He looks at me, trying to size me up, and it is difficult for him because I just sit here. He, however, is a montage of many impressions. His coat is not only wrinkled but stained--greasy burgers eaten hastily. I note it all. His eyes are red rimmed, from a drug as much as fatigue. I hypothesize his poison to be speed--medicine to nourish long hours beating the pavement. After me? Surely. There is also a glint of satisfaction in his eyes, a prey finally caught. I smile, privately at the thought, yet a thread of uneasiness enters me as well. The office is stuffy, slightly chilly. I have never liked the cold, although I could survive an Arctic winter night naked to the bone.
"I guess you wonder why I wanted to talk to you so urgently," he says,
I nod. My legs are uncrossed, my white slacks hanging loose. One hand rests in my lap, the other plays with my hair.
"May I call you Quinn?" he asks.
"You may call me what you wish, Mr. Riley."
My voice startles him, just a little, and it is the effect I want. I could have pitched it like any modern twenty something, but I have allowed my past to enter, the power of it. I want to keep Mr. Riley nervous, for nervous people say much that they later regret.
"Call me Mike," he says. "Did you have trouble finding the place?"
"No,"
"Can I get you anything? Coffee? A soda?"
"No."
He glances at a folder on his desk, flips it open. He clears his throat, and again I hear his tiredness, as well as his fear. But is he afraid of me? I am not sure. Besides the gun under his coat, he has another beneath some papers at the other side of his desk. I smell the gunpowder in the bullets, the cold steel. A lot of firepower to meet a teenage girl. I hear a faint scratch of moving metal and plastic. He is taping the conversation.
"First off I should tell you who I am," he says. "As I said on the phone, I am a private detective. My business is my own--I work entirely freelance. People come to me to find loved ones, to research risky investments, to provide protection, when necessary, and to get hard-to-find background information on certain individuals."
I smile. "And to spy."
To be continued