The first word that comes to mind when visiting the Crone Temple in Valencia is 'raw'. Upon arriving through the main entrance, one directly enters the ritual room, as is usual with churches. There are several wooden benches around, and an altar at the far end. The walls are decorated (or 'decorated') by what remains of the graffiti crafted by previous occupants. There are hundreds of etchings on the altar, and upon closer inspection they are revealed to be the names of gods revered across the world.
If one wishes to breathe, they'd detect a faint smell of incense and sage. There's little light here, provided by several candles placed at just the right distance from one another to make the Beast aware, but not stir it to any violent action.
But perhaps the most distinct element of the decor is the inscription painted in red, above the altar:
"THAT IS NOT DEAD WHICH CAN ETERNAL LIE/AND WITH STRANGE AEONS, EVEN DEATH MAY DIE"
In the back of the room, slightly ajar is a door. Once, it led to the sacristy, but recently it was remodeled as a private meeting room. Lining the walls are bookcases filled with volumes mundane and occult, zines, newspapers and various artifacts one could find at a flea market - clocks, coins, pottery and the like, all old or broken in some way. Around a central table there are couches and chairs to sit on. Thomas sits on one of the chairs, facing the door. Unlike in the main room, the lights here are warmer and electrical - a testament to the solar panels on the roof.
Slowly turning the pages of Magiae Naturalis, the Ventrue awaits his Nosferatu guest.